Nalson Jan. Mais il ne veut pas se taire, et continue de clamer son innocence. Upon His Majesties calling this last Parliament. Upon the Earle of Straffords death.
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Nalson Jan. Mais il ne veut pas se taire, et continue de clamer son innocence. Upon His Majesties calling this last Parliament. Upon the Earle of Straffords death. Sur la mort du comte de Straffords. Upon His Majesties going to the House of Commons. Upon the Insolency of the Tumults.
Upon His Majesties retirement from Westminster. Upon the Queenes departure, and absence out of England. Upon His Majesties repulse at Hull, and the fates of the Hothams. Upon the Propositions first sent to the KING; and more afterwards. Upon the Rebellion, and troubles In Ireland. Upon the Calling in of the Scots, and their Comming. Upon the Covenant. Upon the Ordinance against the Common-Prayer-Booke. Upon the various events of the Warre; Victories, and Defeats. Upon the Reformations of the Times.
Upon His Majesties Letters taken and divulged. Upon His Majesties leaving Oxford, and going to the Scots. Sur le refus au Roi de voir ses chapelains. To the Prince of Wales. Au Prince de Galles. That Splendid, but yet toilsom Crown Regardlessly I trample down. With joie I take this Crown of thorn, Though sharp, yet easy to be born. I slight vain things: and do embrace Glorie, the just reward of Grace.
Eikon Basilike ou décentrer pour préserver
En effet, Charles se pose comme seul auteur de ce texte. Pourtant on peut aussi y voir une forme de re-centrement. And when I know what lawful authority, I shall answer. Paradoxalement il est au centre de la salle du tribunal. And sentence upon Saturday last was pronounced against him by this Court, to be put to death by the severing of his head from his body. Of which sentence Execution yet remains to be done 5 …. Il soigne son image en mettant deux chemises pour ne pas trembler.
Eikon Basilike, 1648
Eikon Basilike I. It is bound in full gilt-ruled 18th century english calf, with the spie divided into five compartments by four raised bands, with leaf edges red speckled and board edges blind tooled. Externally the boards and spine are lightly scuffed in general, with some splits showing at the tail of both hinges, and the head of the front hinge, with chipping at the head of the spine and the board corners bumped. Internally the leaves are generally clean and well margined, with notable tears to the errata leaf and to the plate, with general mild toning and occasional marginal foxing, with some small marginal tears otherwise. The argument is that Gauden had prepared the book to inspire sympathy with the king by a representation of his pious and forgiving disposition, and so to rouse public opinion against his execution. Gauden stated that he had begun the book in and was entirely responsible for it.
They had five children, four sons and a daughter. He seems to have remained at Oxford until , when he became vicar of Chippenham. His sympathies were at first with the parliamentary party. In he was appointed to the rural deanery of Bocking.
Bernini , seeing this picture, called it "the portrait of a doomed man". It is by no means certain that Charles wrote the book. After the Restoration , John Gauden , bishop of Worcester , claimed to have written it. Jeremy Taylor is also said to have had a hand in its revision, and to be the source of its title; an earlier draft bore the name Suspiria Regalia, the "Royal Sighs". The end result is an image of a steadfast monarch who, while admitting his weaknesses, declares the truth of his religious principles and the purity of his political motives, while trusting in God despite adversity.
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